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Medieval dance is reasonably straightforward and lots of
fun. During our performances we generally do three dances - two traditional
medieval dances, and our interpretation of the conga line - the "Bop
Bop dance". The document below contains a guide to the two traditional
dances - The Pavanne and The Saltarello. There are also sample music files
for these two dances, and some poetry from Geoffrey Chaucer about dancing.
Dance Steps
Saltarello Music
Pavanne Music
Geoffrey
Chaucer on Dancing
Saltarello:
Saltarello is derived from the Italian word "salto"
or "to jump". The
saltarello enjoyed great popularity in the courts of medieval and Renaissance
Europe. It represents the eternal drama of love, the wooing, the resistance, the
triumph. At the beginning a single couple performs the Saltarello, but very soon
the entire audience is carried away by the enthusiasm of the music and the
pleasure of the dance.
Pavan:
The Pavanne was a dance of Court and was called "le grand bal" because
it was used on state occasions. The Pavanne was one of the first "social
dances" in
Europe
.
The Pavanne was a very solemn couples gliding dance done with long gliding
(walking) steps in procession with many curtsies, retreats and advances. The
lady rests her hand on the back of the man's, with ceremonial dignity.
Spain
's new fashions in dress led the way for the Pavanne, and consisted of gentlemen
dressed with caps and swords, Princes in their mantles, and ladies in gowns and
long trains dancing with a kind of strut-like motion, resembling that of a
peacock and the ladies sweeping their trains of their dresses in this dance.
The upper-class and nobility favoured these social dances at the time and was
most popular in
Italy
,
Spain
and
France
.
Farandole (the bop dance)
This is a snaking chain dance, with a leader up front and all of the dancers
holding hands, following behind each other. The farandole style of dancing
appears to trace back to ancient Greek dancing, and was apparently popular in
south
Europe
during the medieval period.
Dancers can move to any music so long as it is has a regular pulse. Dancers were
also usually singing.
The chain moves, running, skipping or just walking through the streets or roads,
increasing with all the people it meets, and it goes on in a very quick and very
rhythmical movement.
At certain moments, the chain joins its two ends and forms a circle or it
unstrings, and the dancers skip under the arch formed by two dancers who have
separated from it.
The music was very up and lively.
The dance was one of celebration (weddings, births, anniverseries etc.) |